Music Master

Babul Ka Ye Ghar Gori on Harmonium notation

Sthayee-

Babul Ka ye Ghar Bahana

Ga Ga Ga GaRe ReGa ReGa Re Sa Sa Sa

Kuchh Din Ka Thikana Hai

Sa Ni Sa Re Re Re Re - Re Sa Ga - - - Re - Sa -

Banake Dulan Ek Din, Tujhe Piya Ghar Jana Hai

Antara-

Babul Teri Bagiya Ki

Pa Pa Pa Pa Pa Dha Dha - Pa - - -

Mai To Wo Kali Hun Re

Ga Ga Ga GaRe GaRe Re Sa Sa - -

Jhhod Teri Bagiya Mujhe, Ghar Piya Ka Sajana Hai..

Maiya Tere Aanchal Ki, Main Kaisi Gudiya Ri

Tune Mujhe Janam diya, Tera Ghar Kyon Begana hai

Maiya Pe Kya Beet Rahi, Bahna Tu Ye Kya Jaane

Kaleje Ke Tukare Ko, Ro-Ro Ke Bhulana Hai

Bhaiya Tere Aangan Ki, Main Hoon Aisi Chidiya Re

Raat Bhar Basera Hai, Subah Uarh Jaana Hai

Yade Tere Bachpan Ki, Hum Sab Ko Rulayengi

Phir Bhi Teri Doli Ko, Kandha To Lagana Hai..

Raags on Harmonium with Notations

Raga Yaman-
All Shuddh Swars are used except Ma(tivra). Peace and tranquility is it's distinctive qualities.
Aaroh- *Ni Re Ga Ma Dha Ni Sa*
Acroh- Sa* Ni Dha Pa Ma# Ga Re Sa
Pakad- *Ni Re Ga Ma#Pa, Re Ga Re, *Ni Re Sa

Raga Bhairavi-
Aaroh- Sa Re# Ga# Ma Pa Dha# Ni# Sa*
Sa* NI# Dha# Pa Ma Ga# Re# Sa
Pakad- *Ni Sa Ga# Ma Dha# Pa Ga# Ma Ga# Re# Sa

Harmonium with Notations

Raga Darbari-
It require a light shake/oscillation on Ga# and Dha#
Aaroh- Sa Re Ga# Ma Pa Dha# Ni# Sa*
Avroh- Sa* Dha# Ni# Pa Ma Pa Ni Ga# Ma Re Sa
Pakad- Sa Re Ga# Re Sa *Dha# *Ni# Sa

Raga Bilawal- Alahaiya Bilawal rendered without 'm' in aroha. Bilawal uses 'N' and Alahaiya Bilawal
uses 'nN' in avroha.
Aroha- S R G m(shuddh) P D N S*
Avaroha- S* N D P m G R S
Vadi- D Samvadi - G
Note-If m(shuddh) is replaced with M(tivra), the raga becomes Yaman.

In Yaman 'Ma' tivra is used where as in Yaman Kalyan 'Ma' Shuddha is used and all other notes are Shuddh.
Vadi-Ga Samvadi- Ni

Suddh Kalyan or Bhup Kalyan- Omits these two notes in ascending movement, and includes
them in descending ones. It lie between Bhopali and Yaman

Hameer- Famous song 'Madhuban Mein Radhika Nachi Re.

Gaud Malhar- Famous song 'Garjat Barsat Sawan Ayo Re'. 'Miyan Ki Malhar' is the same group Raga. It was sung by Tansen. Gaud malhar, Des Malhar, Ramdasi Malhar are also kinds of this group.

Kedar- It is in the group of Yaman and Bhopali i.e. having Shant, Bhakti and Shringaar.
'Darshan do Ghanshyam' is famous song.

Raga Pahadi- It belongs to Thaat Bilawal.
Aaroh- *P D S R G P D S
Avroh-

Thaat- Bilawal-
Aroh-*Pa *Dha Sa Re Ga Pa Dha Sa*
Avaroh- Sa* Ni Dha Pa Ma# Ga Re Sa *Ni *Dha *Pa *Dha Sa
Pakad- Sa *Dha *Pa *Dha *Ma# *Ga *Pa *Dha Sa

Raga Pilu - It belongs to Kafi Thaat. It's mood is Bhakti. Pilu Raga may have all 12 notes i.e. main and grace(Komal) notes like Re#, Ga#, Ma#, Dha#, Ni#.

Aaroh- *Ni Sa Ga# Ma# Pa Ni Sa*
Avaroh- Sa* Ni# Dha Pa Dha# Ma# Ga# Re Sa *Ni Ga# Sa
Pakad- Ga# Ma# Dha# Pa Ga# Sa Re *Ni Ga# Sa
Variation- Ga Pa Dha# Pa Ma# Ga# Re Sa Ni Sa
Sa Ga# Re Ga# Sa Re *Ni Sa, Ga Ma# Ni# Pa Ga#-Sa
Songs related to this Raga-
Ae Meri Johara Zabeen(Dadra)
Chura Liya Hai Tumne Jo(Kehava)
Na Jao Saiyan Chhuda Ke
Na Jhatko Julf Se Pani(Shahnaee)
Ude Jab Jab Julfen Teri(Naya Daur)
Mera Pyar Bhi Tu Hai(Saathi)
Dhundhon Dhundhon Re Sajna(Ganga Jamuna)
Saathi Haath Badhana(Naya Daur)

Raga Bhimpalasi-

- Ga and Ni are komal (Ga# Ni#)
- Lot of emphasis on Ma
Aaroh- *Ni# Sa Ga Ma Pa Ni# Sa* (only 5 Notes excluding Re and Dha)
Avroh- Sa* Ni# Dha Pa Ma Ga# Re Sa (all the notes)

Songs-.Ja Ja Re Apane Mandirva Ja
Ae Ajnabi Tu Bhi Kabhi(Dli Se)
Khilte Hai Gul Yahan(Sharmilee)
Naino Me Badara Chhaye(Mera Saya)
Tum Mile Dil Khile(Criminal)

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