Thursday, September 13, 2018

Raags on Harmonium with Notations

Raags on Harmonium with Notations

Raga Yaman- 
All Shuddh Swars are used except Ma(tivra). Peace and tranquility is it's distinctive qualities.
Aaroh- *Ni Re Ga Ma Dha Ni Sa*
Acroh- Sa* Ni Dha Pa Ma# Ga Re Sa
Pakad- *Ni Re Ga Ma#Pa, Re Ga Re, *Ni Re Sa

Raga Bhairavi- 
Aaroh- Sa Re# Ga# Ma Pa Dha# Ni# Sa*
           Sa* NI# Dha# Pa Ma Ga# Re# Sa
Pakad- *Ni Sa Ga# Ma Dha# Pa Ga# Ma Ga# Re# Sa
Harmonium with Notations
Harmonium with Notations

Raga Darbari-
It require a light shake/oscillation on  Ga#  and Dha#
Aaroh- Sa Re Ga# Ma Pa Dha# Ni# Sa*
Avroh- Sa* Dha# Ni# Pa Ma Pa Ni Ga# Ma Re Sa
Pakad- Sa Re Ga# Re Sa *Dha# *Ni# Sa


Raga Bilawal-  Alahaiya Bilawal rendered without 'm' in aroha. Bilawal uses 'N' and Alahaiya Bilawal
                          uses 'nN' in avroha.
Aroha- S R G m(shuddh) P D  N S*
Avaroha- S* N D P m G R S
Vadi- D             Samvadi - G
Note-If m(shuddh) is replaced with M(tivra), the raga becomes Yaman.

In Yaman 'Ma' tivra is used where as in Yaman Kalyan 'Ma' Shuddha is used and all other notes are Shuddh. 
Vadi-Ga              Samvadi- Ni

Suddh Kalyan or Bhup Kalyan- Omits these two notes in ascending movement, and includes
                        them in descending ones. It lie between Bhopali and Yaman

Hameer- Famous song 'Madhuban Mein Radhika Nachi Re.

Gaud Malhar- Famous song 'Garjat Barsat Sawan Ayo Re'. 'Miyan Ki Malhar' is the same group Raga. It was sung by Tansen. Gaud malhar, Des Malhar, Ramdasi Malhar are also kinds of this group.

Kedar- It is in the group of Yaman and Bhopali i.e. having Shant, Bhakti and Shringaar.
                      'Darshan do Ghanshyam' is famous song. 

Raga Pahadi- It belongs to Thaat Bilawal.
Aaroh- *P D S R G P D S
Avroh-   

Thaat- Bilawal-
Aroh-*Pa *Dha Sa Re Ga Pa Dha Sa*
Avaroh- Sa* Ni Dha Pa Ma# Ga Re Sa *Ni *Dha *Pa *Dha Sa
Pakad- Sa *Dha *Pa *Dha *Ma# *Ga *Pa *Dha Sa

Raga Pilu - It belongs to Kafi Thaat. It's mood is Bhakti. Pilu Raga may have all 12 notes i.e. main and grace(Komal) notes like Re#, Ga#, Ma#, Dha#, Ni#.

Aaroh-   *Ni Sa Ga# Ma# Pa Ni Sa*
Avaroh-  Sa* Ni# Dha Pa Dha# Ma# Ga# Re Sa *Ni Ga# Sa
Pakad-   Ga# Ma# Dha# Pa Ga# Sa Re *Ni Ga# Sa
Variation- Ga Pa Dha# Pa Ma# Ga# Re Sa Ni Sa
               Sa Ga# Re Ga# Sa Re *Ni Sa, Ga Ma# Ni# Pa Ga#-Sa
Songs related to this Raga-
Ae Meri Johara Zabeen(Dadra)
Chura Liya Hai Tumne Jo(Kehava)
Na Jao Saiyan Chhuda Ke
Na Jhatko Julf Se Pani(Shahnaee)
Ude Jab Jab Julfen Teri(Naya Daur) 
Mera Pyar Bhi Tu Hai(Saathi)
Dhundhon Dhundhon Re Sajna(Ganga Jamuna)
Saathi Haath Badhana(Naya Daur)


Raga Bhimpalasi-

- Ga  and Ni are komal (Ga#  Ni#)
- Lot of emphasis on Ma
Aaroh-  *Ni#  Sa Ga  Ma  Pa  Ni#  Sa*  (only 5 Notes excluding Re  and Dha)
Avroh-  Sa*  Ni#  Dha  Pa  Ma Ga#  Re Sa  (all the notes)

Songs-.Ja Ja Re Apane Mandirva Ja 
            Ae Ajnabi Tu Bhi Kabhi(Dli Se)
            Khilte Hai Gul Yahan(Sharmilee)
            Naino Me Badara Chhaye(Mera Saya)
            Tum Mile Dil Khile(Criminal) 
           

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